Robert G. Davis

Masonic Ritual Is An Innovation

When the Worshipful Master is asked at his installation if he agrees that it is not in the power of man, or any body of men, to make innovations in the Body of Masonry, it is important to understand that this charge is intended for the preservation of the organizational structure of Freemasonry, and not its ritual ceremonies. More than one Grand Master or Custodian of the Work has attempted to apply this admonition to Masonic ritual itself. Yet a brief review of ritual development and its many forms across the landscape of Masonic jurisdictions will quickly show this question taken from the “Old Charges” has nothing to do with the ritualistic aspects of our fraternity. Our founders never intended that ritual ceremonies remain static. Prohibition to innovation does not apply to Masonic ritual as this is the single basis upon which all Light in Masonry is transmitted and revealed.

Even the insistence by the United Grand Lodge of England that “pure, ancient Freemasonry consists of three degrees only, including the Holy Royal Arch” is historically inaccurate. Grand Lodges have always been entitled to decide for themselves exactly of what their ritual consists.

The only “pure, ancient” Masonic ritual in the world is the ritual that existed in 1717 when the first Grand Lodge was formed. We know what that ritual was because it was widely published in three early Masonic manuscripts in the form of catechisms still extant from the period of 1696 to 1715, all of which came from Scotland. The amazing thing about these exposures is that they found their way to use and adoption by English Lodges. More significantly, we also find in them much of the foundation upon which all later Masonic ritual was erected--the method of placing the feet, mention of the “prentice” and “fellow-craft,” the five points of fellowship; the mention of the square, compasses and Bible in the same context; the porch of King Solomon’s Temple, the basic penal sign; the penalty—there is much to recognize here. It is beyond coincidence that we find these characteristics in common in all of these old catechisms.

And one other point is extraordinary in all these workings: Degrees are not mentioned. When the first Grand Lodge in the world was created, there was only the ceremony of making a Mason—an “Acceptance and the Master’s part.” In fact, we have no evidence of a three degree system, or a third degree, prior to Samuel Pritchard’s famous exposure entitled “Masonry Dissected,” published in 1730.

This makes the Master Mason degree in Masonry an innovation!

Serious historians agree that the third degree was introduced into Masonry around 1725. It became popular over the next two decades primarily because Masons adopted Pritchard’s exposure as an aide to the memory work. His unauthorized work essentially became the first Masonic Monitor; and would be the unofficial ritual book of Freemasons for decades. It is also the first mention we have of the Hiramic Legend.

No one knows where this story came from, but it is surmised that Desaguiliers may have been the author, being Grand Master in 1719 and Deputy Grand Master in 1722 and 1726. This was the period when the third degree was introduced into the ceremonies of the premier Grand Lodge. Logic suggests that Desaguliers and his Masonic friends in the Royal Society could have been responsible. Certainly, nothing could have been introduced without their approval. In fact, the Craft changed dramatically while Desaguliers was on the scene. The Grand Lodge went from an annual feast to an administrative body, complete with minutes and policy direction for lodges, including the structure of its degrees.

Desaguiliers, if he and his friends were indeed the authors of the third degree, turned Freemasonry into a new path. By 1730, the ceremony we know as the Royal Arch had been developed, which was the revival of an ancient Greek story dating to c. 400 AD. By 1735, the Rite of Perfection, consisting of 14 degrees, was introduced, setting a biblical chronology to the structure of Masonic ritual. Both the Royal Arch and Rite of Perfection, innovative as they were, were declared by members as “revivals” of ancient Masonry because they automatically imparted an artificial façade of age on the degree or order. After a few years, even Grand Lodge historians were writing that these added degrees were revivals of an older system. It became fashionable to believe there was nothing innovative to them at all!

Of course, all of the new degrees/orders were adopted on a single premise—what had been lost in the third degree had to be found. For this reason, all of them show an amazing similarity in structure—all show signs of emanating from the same source, with the same regularity of form. Even as additional degrees developed, they retained a “traditional” structure.

This similarity in structure is further evidence that our Masonic degrees, were, in fact, created in a wave of fashion. They all intimate there are great secrets to be found by the dedicated follower. And indeed, there are.

At the same time that degrees and orders were growing by leaps and bounds in both the York Rite and Scottish Rite traditions, Masonic ritualists in the craft lodges continued to add to the language of the first three degrees, adding substance to their form. During the second half of the 18th Century, an extraordinary growth in intellectual meat was added to the bones of the old “pure and ancient” concept of the few simple catechisms of 1717. In fact, ritual development and expansion continued to be fashionable as a means of educating the craft until well into the 1820’s.

We had, in effect, created a school of education which thrived for nearly a century until Grand Lodges, primarily in America, determined there should be only one ritual; one set of words—that which was adopted by them—and everything else didn’t count. The American Grand Lodges established yet another innovation in Masonry—that ritual was fixed in time—their time. They had decided for themselves that pure and ancient Masonry was their Masonry alone. Masonic ritual became a fixed and stagnant thing.

This 19th century innovation may have marked the beginning of the decline in Masonry. It was during this era that Grand Lodges collectively decided there was nothing more to be learned in Masonic ritual. Our words were frozen in time.

I’m now wondering if it is time to create yet another innovation in Masonry; that of educating Masons that ritual use should be a dynamic process, just as learning is dynamic. Of course, we don’t need to adopt more words. But consider how instructive it would be if ritual diversity could be introduced as an added tool for instruction; if alternative ritual systems already adopted in other Jurisdictions across the world could be exemplified at the will of the lodge and sanctioned by Grand Lodge. Imagine how exciting and invigorating it would be if we had ten or twelve different ritual workings available to us in every Grand Jurisdiction!

Perhaps it is time to make Masonry fashionable again, both through the variety of its ritual form and the development of its intellectual form; where lectures, essays, and dialogue are shared regularly in lodge—all focused on enlightening the mind. Maybe the most instructive and informative papers could become a part of the printed monitors of Masonry; not to be memorized, but to be sanctioned and published for the benefit of those who want access to more knowledge in the ways of Masonry--those who know that More Light in Masonry is not the propriety of Grand Lodge, but rather, the individual and his brothers on their collective quest of a lifetime—a seeking for that which has been lost in the words; and their meanings.

In exercises such as these, would we not once again be practicing “pure and ancient” Masonry? It might just be another innovation worthy of our ancient craft.

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Thinking Outside of the Masonic Box

Back in February, Bro. Robert G. Davis and I took a road trip to Austin, Texas in order to attend a Lodge of Secret Masters (4th Degree Scottish Rite). This was a unique experience, because the brethren of the Austin Valley Scottish Rite have taken the ritual that is normally performed on a stage, and transformed it into an actual lodge setting. Therefore, instead of watching the degree from afar, you are actually taking part in a working lodge of Secret Masters. The lodge is only held once a year in order to initiate a brother into the 4th degree of the Scottish Rite. This was truly a rare and powerful event, especially since to my knowledge this is the only valley performing this kind of work.  

The passion that the brethren put into this was evident from the moment that we walked in, because the brethren managed to recreate the lodge of sorrow space from the ritual down to the most minute detail, including many custom pieces such as custom 9 pointed star candelabras with gold leaf, handmade stain glass pieces, carved leather banners, torchieres, and even a knight in a full suit of armor. 

During the reception following the event, one of the brothers told me that the project seemed too daunting during the original planning stages, because they knew that it would take thousands of hours and dollars to create the custom prop pieces. The brethren would also have to get special permission to form the lodge and perform the ritual, However, during our conversations, each brother expressed that the event was a labor of love, and that it had really brought the brethren of the valley closer together. It had also instilled a spark of energy in the valley, because it was something truly unique that the brethren could be proud of. This work resulted in a truly powerful experience, and there wasn't an empty seat in the house.

On the way home, Bob and I were discussing the event and the other successful Masonic events that we've experienced, and one of the key features that we kept coming back to for any successful Masonic event is passion. Without passion ritual is dull and forgettable; however, when the brethren performing a ritual are truly working to transmit Masonic Light, then it is a truly moving experience. The same goes for any event from a fish fry to a festive board. If the Brethren are simply trying to throw something together at the last minute, or go through the motions because they have to, then the event is flat and boring, and everyone secretly can't wait until they can slip out the back door. However, if the brethren are excited about the event and put real time and effort into the event, then everyone has a good time and the bonds of brotherly love are strengthened.

I think the often heard masonic idiom, "we've always done it this way", is actually a lethal phrase for the craft. If we continue doing things because that's the way its been done, we box ourselves in from new experiences, growth, and passion. One of the keys to being passionate about an event or project comes from thinking outside of the box, which allows us to expand our horizons, and even push the envelope of what can actually be done. Sometimes it can be something as simple as adding reflective elements to a lodge experience such as allowing a contemplative moment of reflection after opening, candles, education programs, music, or hosting a degree in a unique manner, like my lodge did last year when we held a Master Mason degree at low twelve, which ended up bringing in visitors representing 19 different lodges, 5 states, and 6 grand jurisdictions. Other times pushing the envelope can be something more ambitious like hosting a festive board with an out of state speaker, or a major event like a gala, ball, or an event like the Austin Valley's Lodge of Secret Masters.

Sometimes thinking outside of the box is going to be difficult, because while we are inside of the proverbial box we often have difficulty perceiving what could be, because we have only surrounded ourselves with what is or has been. However, when we allow ourselves to break outside of the self-limiting box of how we've always done things, then we can breathe new life into our lodges,
appendant bodies, and our fraternity as a whole. As the brethren in the Austin Valley have shown, it may not be an easy road, but the results are well worth it, and now those Brethren have something that they can be truly proud of, and it all began with what seemed like a crazy out of the box idea. 

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The Distinctive Notion of Form in Traditional Masonry

It has been 15 years now, but in the early days of the “traditional observance” lodge movement, I recall a few Grand Lodges had a rough time accepting what they surmised was a new way of “practicing” Freemasonry in their jurisdictions. As with many new ideas in our old institution, we can generally depend on the most stalwart brothers of our craft to be the first to surface with shouts of horror and disbelief that some landmark of Masonic law has surely been breached. Any practice that feels or looks different than the practice men are used to in their own lodge culture is at least a threat, if not an outright innovation, to the ways of Masonry. One Grand Master was known to have said there was “an unbridgeable gulf that exists between these lodges and the Grand Lodge. “ 

It was a remarkable statement.  Since the intent and goal of the traditional lodge movement was simply to bring to our own American culture those traditional practices of Freemasonry that had long proven to be a successful model for the Masonic experience in every other country in which Freemasonry is practiced, it was stunning to its founders that any Grand Lodge would object. If anything, the organizers of the movement felt with all their hearts that they were bringing the true form and structure of Masonry back to the American Masonic landscape.


But that was the issue. There was a difference in understanding how form is defined in Masonry. We all agree that some form is important else we would move to wholly promoting one day classes, or changing the ritual to eliminate its core teaching, or signing up men over the internet. But, beyond the obvious, it becomes easy to confuse form with activity.


Form is what makes Masonry. It is the form that sets the parameters of our institution. It is the form that establishes it landmarks and customs. It is the form that enables us to be a global brotherhood of men. It is the form that allows us to penetrate the deepest aspects of our being, discover who we, why we are here, and what our duties are in life. It is the form of Masonry that creates its experience.


But if we misunderstand the form, or deny its significance, we cut ourselves loose from our heritage. We are then set adrift in a world that denies the possibilities which are inherent in man to discover. We become just another club for the profane.  The whole purpose of initiation, the whole intent of Masonry is to provide a path whereby men can realize the potentialities which exist within themselves—potentialities that cannot be reached other than at the center of one’s own consciousness.  And it is the form in Freemasonry that leads us to this center of our being.


What, then, makes us Masons? What is a Masonic Lodge?  Grand Lodges have typically laid out four characteristics that define a lodge—fraternalism, charitable endeavors, community service, and philosophical discussion. Yet, none of these characteristics define Masonry. And each can lead us astray.


We can’t simply be a fraternal or social organization. If we are, we have nothing to offer that can’t be better provided by many other organizations. Charity does not define Freemasonry, as charity is taught in essentially every moral code to be incumbent upon all human beings. Community service cannot define Freemasonry, as it was not historically a part of Masonry. Community service is something that grows out of the Masonic experience, but is not inherent to it.


Nor can we be a philosophical organization, as far as philosophy is meant to be a branch of knowledge limited to the rational mind. Modern philosophy denies the existence of the most important element of the human heart; intuitive understanding. Human beings simply do not have the capacity to decide what is right without grace; without the active action of the Divine.


You see, these four characteristics could be attached to any number of groups in society. If there is nothing inherently different about Freemasonry, then what distinguishes us from the rest of the community? If these things do not define Freemasonry, then what does?


Our ritual instruction makes this quite clear. It is the internal and not the external qualities of a man that make him a Mason. The element that defines Freemasonry among all groups is that Freemasonry is an initiatic society, a mystery school that reveals the nature of God, and instructs men how to discover and recognize his divine nature and potential. It is the art of initiation that allows the individual to access the higher nature within himself. His greatest potentialities cannot be achieved except through ritual and an understanding of the initiatic process. Masonry is a form of knowledge, a transformative art which is passed down through its form of instruction. It is the form alone that allows us to transcend the confines of our profane nature so that we can come to know the nature of truth. The form enables the inner work.  


The men in Traditional Observance Lodges believe what our European forefathers believed; that there are those who seek Freemasonry today because they are looking for the same thing that men of every past generation and every past culture have earnestly sought—they are looking for something that can bring meaning to their lives.


Many other organizations can provide the four characteristics that so often define our lodge experience today. If we wish to practice these things, that is fine; but to be special we should be about the business of doing them better than any other group.


What other groups cannot provide, and what only traditional Masonry currently provides, are the traditional forms of an initiatic organization. That is truly the only experience which distinguishes us from the rest of the community. Fortunately, it is a lodge experience that is growing in popularity and acceptance. But for the new craftsmen, it is simply the old Masonry; rediscovered.

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